Friday, May 30, 2014

Always a Project in Waiting

In between shibori pole wrapping silk, applying dye and waiting for fabric to dry, which is fast on hot days but takes for ever on rainy humid days I like to keep silk around to paint.  (Actually that's what I always wanted to be when I grew up, a painter, but, because of 4-H and learning to sew from my mom, sewing and hand dyed wearable art became my forte.) Oops, and I've created a new way to address stray paint.  Respond!  Just paint a little flower on top of it!

Thursday, May 29, 2014

 

The Shibori technique is based on manipulating fabric by wrapping it around a pole or rope, folding and clamping, or stitching. The fabric resists the dye and creates a pattern.     I always place at least three colors, or shades of one color of dye on the cloth.  This creates movement and depth.  The real pleasure attained using the Shibori technique is when you open each steamed package and discover the results!

  1. Make rules
  2. Choose a palette and stick with it
  3. Ask “What if?”

The secret to beautiful texture and blend of color is to not use too much dye by learning to read the flow of the dye in the same way a kayaker reads the river before descending over a 40 foot water fall.  The only way to repeat what you discover is to measure and make notes. (Sorta.  You can never really repeat with shibori. J )

Vinyl Sulphon Dye:   Turq. Yellow, Magenta, Black.  I like to use the color wheel and formulate my own colors.  That way I know what color every other color contains.
Urea water:  ¾ c urea to 4 cups hot water
Add 1 t Ludigol
Use 4 cups Urea water to 7 T dye concentrate
Make soda ash solution.  Add  ½ t Soda ash solution to ½ c dye
 
I use about 3/4 cof dye for one yard of fabric.  But it could be more or less depending on the fabric and whether or not I want any white.

Soak cotton, rayon, bamboo in soda ash solution til damp then drizzle dye on fabric.  Record differences in dampness before applying dye.

For wool, soak fabric in equal parts vinegar and water with capful of synthrapol.  Record differences in dampness before applying dye by drizzling dye on fabric

Let fabric dry completely before steaming.  Wrap in at least 3 layers of newsprint and muslin.  Place in canner with  about 2” of water on stove. Cover with towels.  Steam for 40 min.  Rinse in hot water with synthrapol til water is clear.

For Cotton, silk, bamboo or rayon:  Wash on delicate cycle, cold water and softener (Dharma).  Be very careful when rinsing rayon as it will tear.  Dry on delicate cycle.  Iron with hot, steam iron  For wool, rinse carefully pressing fabric to remove excess water and dye.  Lay flat to dry, drape or place in washer with drain rinse cycle.  Let air dry.  Iron





Wednesday, May 28, 2014

Turquoise, Fuchsia, Yellow orange Triad

I love hot Kentucky days.  My devore silk dries fast.  Yesterday I pole wrapped 12 pieces of silk around six poles.  There were a variety of shapes.  Some were 22 x 80" which will become shawls or ponchos.  Some were 22 x 72" and will become infinity scarves.  Some were 44 x 44" and will become jackets.  Others were 44 x 60" and will become a cape.  I also am experimenting with 44 x40" which will become a bolero!  I dyed them all using the vinyl sulphon dyes in the triad colors of turquoise, fuchsia, and yellow orange.  Even though it is the same combination of colors, each piece will be different, either because of the pattern in the devore, or because the order of applying the dye is different.  That's what I love about color theory and shibori!

Tuesday, May 27, 2014

Be Playful

The idea is to be playful.  The goal, not busy.  Dyeing several pieces in one palette is turning out to be inspiring.  Sewing began yesterday.  This jacket began as 44 x 44" devore fabric, pole wrapped and dyed using the Vinyl Sulphon pure color dyes in a triad of turquoise, fuchsia and yellow orange.  I like using the pure colors in summer.  Come fall I will move into tones, then shades for winter.

Monday, May 26, 2014

Not Busy

I know these are not the most appropriate chairs for one's living room.  They are, however, very comfortable.  And when placed in the zero gravity position they lead to excellent relaxation, hence, meditation and reception of awesome ideas.

The May collection of shibori dyed pieces are complete.  Most are pole wrapped.  A few are rope wrapped.  All pieces are dyed using three colors.  I love the variety. Even Highlin' is enjoying the color.  The empty bowl symbolizes the next step:  sewing a cohesive body of wearable art.



Sunday, May 25, 2014

The Goal is to be Not Busy

 
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The Goal is to be Not Busy!  And still produce results. 

Step 1.  Tear all pieces of silk to be dyed in one palette of colors.  I don't like to cut out patterns so everything I make is based on tearing, pole wrap shibori dyeing and sewing.


Step 2.  Create a palette that incudes three colors.  This insures that there will be texture rhythm in all my pieces. And because there are several different combinations, there will be variety, all of which contributes to a cohesive body of work. (There's that phrase again. "body of work!"  It's always important to be striving for a body of work.  That way you never get bored, no matter what your artform.)

Step 3.  Hang up an admire your creations so that you have eternal pleasure in your art making.  This collection is based on the triad and split triad of turquoise with a little seque into the analagous colors of red and and orange

Thursday, April 24, 2014

Spring Tints

A beautiful Kentucky spring 72 degree day.  Doors and windows open. Dogs asleep.  (They give me joy on our hikes in the woods.)  Wind blows pole wrapped, shibori dyed silk on the line in the screened in back porch.   Waiting to be steamed and sewn into elegant wraps and capes. Their colors blend with the newly budding trees.  Larry takes his afternoon nap in the downstairs bedroom, sun streaming through the screen.  The empty hammock on the front porch sways. Two black cats sleep beneath.  Windchimes move slightlty.  Their glass shards colliding.  Soon I will  carry the silks to my studio in the loft.  Wrap them in newsprint, place them in an old canner on the stove, cover them with towels and steam set the pale spring colors of dye.  These tints are perfect for the subtle colors spring trees, rosebuds and dogwoods.  




Wednesday, April 16, 2014

Where Did These Colors Come From?



I hung this shibori dyed silk devore outside to determine if it was a summer color.  That's what I was striving for.  Wanting to tone the complimentary colors, turquoise and red orange, I added a little of their compliment to each color.  Maybe the end blend leans a little towards fall, however, I think they will work just fine all summer.


Living a layered life, I enjoy the colors surrounding my Kentucky cabin.  My art to wear becomes a form of memoir! Perfect for a Kentucky Derby party. Shibori dyed, pole wrapped 44x44" silk devore using the Vinyl Sulphon dyes.  Following color theory I used analagous colors of blue, turquoise and green.  Edges are finished using the Bernina rolled hem adapter.  Finally after 10,000 hours, I think I have it down!  Available at Etsy.http://www.etsy.com/shop/LaverneZabielski

Friday, April 11, 2014

Process spring and dripping art

The morning started with a watercolor sketch.  I'm working on developing a new strategy for coming up with colors of dye for my silk.  Lately there have bee lots of analogous colors.  Time to get more artsy.

It's always amazing what happens after I apply dye and the colors begin to drip.  A work of art all their own.  Today I photograph what almost looks an ocean coast topography.  Next time I might press a piece of water color paper on top.
This is the best time of the year for shibori dyeing.  It's nice to be outside and the colors are tender.  The fuchsia of the red buds, the greenest new grass and dog sleeping next to the picket fence creates the ambiance.  The charmeuse and devore silk on this shibori wrapped pole is dyed with two formulas.  One mixture of 1/2 c red orange and 1/4 t turquoise and another of 1/2 c turquoise and 1/4 t red orange.  There's something about adding a little compliment that takes the color to a new intensity.


This fuchsia and purple charmeuse gown finally made her way to Koi Gallery in The Galt House, Louisville, KY.  She's hot, simple and sensuous.  I think it's the perfect time of year for such self expression.

And if you can't get to her check out my etsy.



Tuesday, March 11, 2014

Home From Market

Home from Kentucky Crafted, The Market.  It is always exciting to prepare for, challenging to set up and exciting to showcase my shibori dyed Truly Wearable Art.  The show was  wonderful and I love to meet old and create new friends.  As soon as I get home I begin to envision what I want to create next, what to plan for the future and what to exhibit next year at the Market.  I only do one show a year.  The rest of the time focus on boutiques and galleries, and love to work one to one.  Email me if you have an idea.

Monday, February 17, 2014

This preview collection of pole wrapped shibori dyed wearable art for the Kentucky Craft Market in Lexington on March 8-9 is currently destined for MS Rezny Studio/Gallery.  30% discount this Friday night during Gallery Hop! Lots of new colors and designs.


Saturday, October 19, 2013

LEXINGTON FASHION COLLABORATIVE FUTURE OF FASHION V


Lexington Fashion Collaborative

Future of Fashion V

You can visualize, you can create, you can display, but it's not until you see it in action that you truly appreciate the beauty!

Tuesday, August 20, 2013

I can't say that I really try to have my formulas reflect the colors around me.  Sometimes they just do.  The color of Joe Pye Weed this time of year is much the same as the color I get using my new Vinyl Sulphon  Bordeaux basic dye color.  Layer that with purple and a green made by adding black to yellow and late summer shows up in my silks.  I'm not quite sure what I will create with these pole wrapped, shibori dyed pieces of FeltLOOM felted merino and alpaca.  If I dye several using the same formulas, however, there will be enough fabric for many possibilities.

Something for the Future of Fashion V show to be presented by the Lexington Fashion Collaborative on September 13, 2013 at the Lyric Theater in Lexington.  Or perhaps it will find it's way on Novemeber 9th into a design created for this year's Carnegie Classics based on the The Great Gatsby.

Wednesday, August 14, 2013

Bordeaux Purple and Green Charmeuse Poncho

I just delivered this pole wrapped, shibori dyed, charmeuse poncho to Damselfly Gallery in Midway, Kentucky.  So eazy to wear.  Playful and elegant! I loved using the basic dye Bordeaux to create these colors.  Visit Etsy to purchase a pdf of my basic dye formulas using the Vinyl Sulphon dyes.  Email me if you'd like this specific formula.  Make art now and remember truly beautiful skin is as important as the truly beautiful art we make each day.

Laverne

Sunday, August 4, 2013

Rope Wrap and Discharge



The Lexington Fashion Collaborative's Refugee Women's Sewing Project is creating beautiful tunics out of this shibori dyed rayon.  They will soon be available on Etsy.  Also available on Etsy are formulas for using the Vinyl Sulphon dyes which are available at Dharma Trading.

Monday, July 15, 2013

The colors around me continue to inspire.  This 52" square poncho drapes beautilfully no matter which way the fabric falls.  This is my copper palette with rust and olive.  I discovered it when I added a little bordeaux and black to yellow.

Grateful today for the wonderful story in the Lexington Herald Leader

Tuesday, June 18, 2013

Copper Chiffon

So simple, yet elegant, chiffon poncho, pole wrapped, and shibori dyed in copper, rust and olive.


“Stand up straight, Rose,” her mother said while she wrapped chiffon around her, estimating the amount needed.
“Do you like it, Rose?” She was designing her prom dress. It was only pinned together.
She thought about the way Echinacea had decorated her rooms. Decorated was not the correct word. Echinacea didn’t decorate. She made art, finding places to hang shawls and skirts. Learning from Echinacea, Rose decided, had been as exciting as any art class she ever took.
excerpt from my memoir, The Garden Girls Letters and Journal

Sunday, June 9, 2013

Layered

Hand felted on the FeltLOOM, merino, alpaca and silk, shibori dyed, beaded, and painted with acrylics.

In my memoir, The Garden Girls Letters and Journal,  I, (a.e. the Garden Girls) layer on everything; paint, pencils, fabric. I'm still layering; felt, silk, paint, and beads.  My next show at MS Rezny Gallery in November will be titled, "Layered, a fantasy memoir."  It will be a visual memoir.  Instead of words, it will be paintings, felt, silk, artist books, and, okay, there will still be some text.



“When I grow up,” Rose says, “I want to be like Sage.”
“And how’s that?” Honeyrose asks. Reaching into a red velvet bag she pulls out small scraps of torn paper and places them on the altar. Then to keep them from blowing in the wind and in preparation for uncovering stories, she layers on pencils, one for each of us just in case we forgot to bring our own.
“What is it about Sage you yearn for?” Gardenia asks.
“For one,” Rose says, “her authority. She speaks and she thinks and she lives with authority. I feel it in her words, I hear it in her tone, and when I look at her picture on my altar, I see it in her face. What I want to know is when did she begin to speak with such strength?” Using her walking stick, Rose pushes dried leaves, sticks and moss off a flat rock, creating the perfect place, with a view of the pond through the trees, on which to sit and ponder.