Saturday, December 13, 2014
Monday, November 10, 2014
shibori dye, I have been saving the serged edges to create lacey scaves. Using Solvey and disposable medical waste bags, made out of a material that looks like Saran Wrap, I lay the edges on it, cover with another layer of the Solvey and then sew it with gold thread. The Solvey dissolves when rinsed with water leaving a playful and lacey design.
Friday, October 24, 2014
pole wrapped and shibori dyed several pieces of wool and dyed them in reds and orange. The intention was to create truly wearable art out of the center and use the edges to create a rug/art for the wall.
FeltLOOM several times.
FeltLOOM several times.
Connecting Fiber Exhibit
It was exciting to see the piece on the wall in the gallery along with five other amazing fiber artists. A review expressed concerns. Some I agreed with, others not so much. However, being a writer I realize that it's the conversation that ultimately matters.
Monday, September 29, 2014
Writing Practice.) My latest is using every last remnant to create art. I figure if it's fabric I shibori dyed it shall not be wasted. Using a water soluble stabilizer I lay it out, sew it up and rinse.
Friday, August 22, 2014
pole wrapped shibori in the sun. Well, maybe it has been a little too rainy. As I expand my collection I add more chiffon. This chiffon cape is 44" wide and 30" from shoulder to edge lengthwise.
Friday, May 30, 2014
pole wrapping silk, applying dye and waiting for fabric to dry, which is fast on hot days but takes for ever on rainy humid days I like to keep silk around to paint. (Actually that's what I always wanted to be when I grew up, a painter, but, because of 4-H and learning to sew from my mom, sewing and hand dyed wearable art became my forte.) Oops, and I've created a new way to address stray paint. Respond! Just paint a little flower on top of it!
Thursday, May 29, 2014
The Shibori technique is based on manipulating fabric by wrapping it around a pole or rope, folding and clamping, or stitching. The fabric resists the dye and creates a pattern. I always place at least three colors, or shades of one color of dye on the cloth. This creates movement and depth. The real pleasure attained using the Shibori technique is when you open each steamed package and discover the results!
- Make rules
- Choose a palette and stick with it
- Ask “What if?”
The secret to beautiful texture and blend of color is to not use too much dye by learning to read the flow of the dye in the same way a kayaker reads the river before descending over a 40 foot water fall. The only way to repeat what you discover is to measure and make notes. (Sorta. You can never really repeat with shibori. J )
Vinyl Sulphon Dye: Turq. Yellow, Magenta, Black. I like to use the color wheel and formulate my own colors. That way I know what color every other color contains.
Urea water: ¾ c urea to 4 cups hot water
Add 1 t Ludigol
Use 4 cups Urea water to 7 T dye concentrate
Make soda ash solution. Add ½ t Soda ash solution to ½ c dye
I use about 3/4 cof dye for one yard of fabric. But it could be more or less depending on the fabric and whether or not I want any white.
Soak cotton, rayon, bamboo in soda ash solution til damp then drizzle dye on fabric. Record differences in dampness before applying dye.
For wool, soak fabric in equal parts vinegar and water with capful of synthrapol. Record differences in dampness before applying dye by drizzling dye on fabric
Let fabric dry completely before steaming. Wrap in at least 3 layers of newsprint and muslin. Place in canner with about 2” of water on stove. Cover with towels. Steam for 40 min. Rinse in hot water with synthrapol til water is clear.
For Cotton, silk, bamboo or rayon: Wash on delicate cycle, cold water and softener (Dharma). Be very careful when rinsing rayon as it will tear. Dry on delicate cycle. Iron with hot, steam iron For wool, rinse carefully pressing fabric to remove excess water and dye. Lay flat to dry, drape or place in washer with drain rinse cycle. Let air dry. Iron